工學院: 建築與城鄉研究所指導教授: 畢�盚F黃潤琳Huang, Run-LinRun-LinHuang2017-03-032018-06-292017-03-032018-06-292016http://ntur.lib.ntu.edu.tw//handle/246246/273678本文以坪林的聲景為例，透過訪談、參與式觀察與實地踏勘，考察坪林自1970年代起至今的聲景演變史。同時，從不同尺度的空間與社會特質與演變過程，對應探究坪林各類聲景的生產機制。此外，透過梳理坪林聲景多元詮釋，凸顯與外界之間及內部彼此的差異和張力。綜合以上三者，本文整理出聲景建構的動態系統，為各層次、各步驟的聲景研究提供整體框架參考，並且結合社區參與的精神提出「聲/命共同體」概念，期待為聲景保存和聲景規劃設計提供新的認識論和方法論。The current study examined the evolution of soundscapes in Pinglin since 1970 through personal interviewing, participle observation, and field research. I explored the creative process of soundscape composition, with a focus on the underlying spatial and social dynamics. By documenting the diverse interpretations of soundscapes in Pinglin, I demonstrated the differences and tension between internal and external forces. Together, the study sheds light on the dynamic system underlying soundscape production, providing examples and implications for soundscape research at multiple levels. In conjunction with the spirit of community participation, we proposed the concept of Sound-Life Unity, which hopefully will contribute to the development of new epistemologies and methodologies for preserving and designing soundscapes.4620043 bytesapplication/pdf論文公開時間: 2016/8/25論文使用權限: 同意無償授權聲景詮釋社會空間建構聲/命共同體社區營造社區參與soundscapeinterpretationsocial-spatial constructionSound-Life Unitycommunity buildingcommunity participationthesis10.6342/NTU201603215http://ntur.lib.ntu.edu.tw/bitstream/246246/273678/1/ntu-105-R01544030-1.pdf