郭玉雯臺灣大學:台灣文學研究所楊舒茵Yang, Shu-YinShu-YinYang2010-05-052018-06-282010-05-052018-06-282009U0001-0908200911210200http://ntur.lib.ntu.edu.tw//handle/246246/178968《家變》與《背海的人》甫出版之際，皆引起文壇一陣騷動，其中怪異的語法與極具衝擊性的內容，考驗著讀者的接受度。王文興小說中最顯著的特色即是內容和語言；他是臺灣現代主義小說中最虔誠的信仰者，堅定著現代主義的美學觀與精神的信念，致力於文學藝術創作之上。本論文將探究王文興小說中內容、形式和語言在現代主義美學特色上之演進。內容上，王文興秉持著現代主義的質疑與思考精神，對命運、社會種種進行深刻的反思與質問；形式上，跳脫傳統小說重視的人物與故事的完整性，以雙時間軸或打亂時序的形式整建讀者對世界的觀感，和創新小說形式；語言上，力圖求「真」──敘事者說話時的心理與情緒真實的反應，因而採取斷裂的語式、自創新的語彙等。此外，王文興的小說也蘊含存在主義的哲學思考，強調獨立特異的個人與存在的價值。王文興並將對社會的思考、質疑體現於他的作品中，使臺灣現代主義文學具有哲學性，而不流於形式的模仿與內容的空泛。Upon the publication, there was huge controversy over Wang Wen-hsing’s two famous novels, The Metamorphosis of a Family and The Man with His Back to the sea. His writing style abnormal and theme aggressive as well as provoking, which well shows he is one of the followers of modernism and modernistic aesthetics. his thesis tries to sort out the progressive modernist characteristics in Wang Wen-hsing’s novels, including theme, style, and language. The main themes of Wang’s novels are modernist, raising questions concerning the destiny of human beings as well as our society. His style goes far beyond the totality of traditional Chinese novels; his story line is never diachronic so as to rebuild new senses toward the world. His language focuses on the narrator’s psychological and emotional reaction and thus seems broken and somehow innovative. In addition, his writings stress the value of individual, which is close to Existentialism. In sum, Wang Wen-hsing, in his works, expresses his thinking toward society, adding philosophical elements to Taiwanese modernism.目錄文摘要……………………………………………………………………………….і文摘要………………………………………………………………………….……ї一章：序論…………………………………………………………………….……1一節：研究動機、問題意識與研究方法………………………………………….1二節：臺灣現代主義小說之興起與發展………………………………………….8、日治時期臺灣現代主義小說之興起與特色…………………………………….8、臺灣現代主義小說的再度興起與特色…………………………………………12三節：王文興小說中現代主義特色概述………………………………………...24、小說創作歷程與他人評論………………………………………………………24、王文興的現代主義美學…………………………………………………………28二章：從〈守夜〉到〈龍天樓〉…………………………………………………32一節：初萌的文學根芽──試探早期小說中的現代主義特色…………………32二節：命運與頓悟──《十五篇小說》分析……………………………………39、命運的迹線………………………………………………………………………40、荊棘的成長之路…………………………………………………………………48、其他…..…………………………………………………………………………51三章：家的演化與變革──《家變》探究………………………………………55一節：主題與人物塑造…………………..……………………………………….55二節：語言特色與形式……………………………………………………………66、語言創新與詩化…………………………………………………………………58、《家變》的形式結構…………………………………………………………….65四章：《背海的人》探究之一……………………………………………………79一節：存在主義課題……………………………………………………………..79二節：生命的意義…………………………………………………………………94、生命的本質………………………………………………………………………94、疾病的隱喻………………………………………………………………………98、身體實踐……………………………………………………………………….101五章：《背海的人》探究之二……………………………………………………106一節：特殊的敘述語調…………………………………………………………106二節：文本的特質………………………………………………………………116六章：結論……………………………………………………………………….129考書目：…………………………………………………………………………..137application/pdf1218691 bytesapplication/pdfen-US王文興現代主義文學Wang Wen-hsingModernist literaturehttp://ntur.lib.ntu.edu.tw/bitstream/246246/178968/1/ntu-98-R94145008-1.pdf