2003-08-012024-05-18https://scholars.lib.ntu.edu.tw/handle/123456789/704318摘要：本研究計劃採取較寬廣的觀察角度，去探索南唐（937-975）的繪畫史，以及北宋（960-1127）時期江南地區繪畫勢力興起的事實。南唐繪畫對北宋以後中國文人畫風格的發展影響深遠。近代學者對南唐繪畫的研究相當注意，且成果豐碩，重要著作至少有二十多種以上（參見計劃書所列書目）。但他們討論的重點多限於畫作本身，而較少探討全面性的相關問題。因此本研究實為必要之工作。為充分突顯此期江南地區繪畫史發展的特色，本研究將以同時的四川地區繪畫發展史作為比較。 本研究擬整理五代（907-960）和北宋時期之畫史、著錄、文集、史料和相關繪畫作品。以綜合、比較和分析等方法，建構南唐和前蜀（907-925）、後蜀（934-965）以及北宋時期江南和四川畫家活動的情形，以明此期兩地繪畫史發展的情況。又、為研究所需，本計劃擬包括研究考察臺灣及大陸地區重要博物館收藏之相關繪畫作品。 本研究內容主要包括三項議題： 1. 南唐和前、後蜀畫家及作品資料。 2. 五代時期江南與四川畫風之特殊性。 3. 北宋時期江南和四川畫家勢力之消長情形。 簡言之，本研究將有效釐清江南地區在南唐和北宋時期繪畫史發展的<br> Abstract: In a broad view, this research will focus on the increasing impact of the Jiangnan (The Yantze Delta) painters on the development of Chinese painting during the Southern Tang (937-975) and the Northern Song (960-1127) periods. As understood, the aesthetics of the Southern Tang painting has pervasively and prevailingly influenced Chinese literati painting ever since the late Northern Song. Many scholars have paid their attentions to this problem. However, most of their papers focus on specific painting(s) by individual artist(s) of this period and seldom on the artists as a group and their increasing influence on the development of painting in the Northern Song, which are the most concerned issues of this research. In order to highlight the regional characteristics of the Jiangnan painting in this development, a comparative study of the Szechwan painters and their activities during the same period is necessary. The main body of material for this research will include texts on painting, literary works, historical documents, and extant paintings by / attributed to the artists of those two areas during the Five Dynasties (907-960) and the Northern Song periods. Research trips to important museums in Taipei and Mainland China to study paintings related to this research is required. By means of comparative studies, analytical reading of the text, and close observation of the paintings just mentioned, this research will work on the following three issues: 1. Configuration of painters of the Jiangnan and the Szechwan areas from the Five Dynasties to the Northern Song Period. 2. Clarification of different approaches to painting in subject and style between painters of those two regions of the same periods. 3. Investigation of the rivalry between painters of those two areas during the Northern Song period. Positively, this research shall enhance our understanding of the internal development of painting history in the Jiangnan and Szechwan areas as well as the increasing impact of the Jiangnan painters in the development of painting during the Southern Tang and the Northern Song periods.南唐繪畫江南繪畫前後蜀繪畫五代藝術南唐與北宋繪畫Southern Tang PaintingJiangnan School of PaintingSzechwan PaintingFive Dynasties ArtSouthern Tang and Northern Song Painting