2023-01-012024-05-13https://scholars.lib.ntu.edu.tw/handle/123456789/653379台灣當代轉型正義長期與在地政治脈絡緊連，從步履困難迄今急速發展，更在相關任務型單位成立後，著力於基礎工作以外，亦從藝術與文化途徑來探求社會溝通與情感修復。此中，由於國際情勢的刺激與國內政策的輔助，以轉型正義為主題與形式的劇場製作質量迸發，相較過去以抒情敘事再現迫害史實的寫實風格，近年製作則轉以跨域、抽象、後設、複合媒材、在地協作形式，在揭發史實之餘，更加強調同理、共感、溝通與辯論。本計畫擇選近十年具代表性之作品，從排演編創、劇本敘事及執行製作三面向指出：台灣轉型正義劇場透過史實版本的綢繆與創試，問題化與複雜化白色恐怖既有詮釋框架；然而，另一方面，其全民參與、沉浸式劇場與自反批判之創作屬性，也揭示劇場運作中民主協作之不易、受難經驗之難以再體驗，以及自反機制的解構侷限。本計畫由此提出假設，台灣轉型正義劇場乃朝向複數賽局與修復式閱讀方向發展：劇場不再以靜態切片的案件分析視角著力於社會議題 的咎責、利益分配與部署競爭，而是視演出為動態改革行動之一環，其本身一如改革行動方針必須持續修正；演出不必然強調創傷的療癒超克，而是視所有社會參與者的經驗與情感為團結聯盟之動能，進一步形構有機且彈性的行動主義結盟。 Transitional justice in Taiwan has tangled with local political context for decades. With a bumpy start since the 80S, it has now burgeoned to focus on, beside the basic judicial measures, reparative communication and networking through arts and cultural creations. Within the impact of international tension and the support from governmental cultural policies, transitional-justice theater works have grown by both quality and quantity. Compared to the previous works that resort to realistic and sentimental narrative to restage history, the productions in the recent years turn to abstract, multimedia, metatheoretical, transdisciplinary, and local participatory measures in order to mobilize collective empathy and social interaction. In the light of this, by investigating into the rehearsal processes, narrative structures, and operative apparatuses of selected representative works of this genre, this project expects to highlight that transitional-justice theater in Taiwan, on one side, problematizes the established discursive framework of White Terror by prototyping historical interpretations on stage and, on the other side, embodies the difficulty, if not impossibility, of democratic collaboration, history representation, and reflexive operation through the uses of participatory arts and immersive theater methods. Transitional-justice theater in Taiwan tends not to emphasize accountability clarification or resources distribution through decisive lens but to highlight the necessity of constant retrospection during theater production. As part of the activist movement, transitional-justice theater relieves the impulse of curing historical traumas and perceives participants’ negative feelings as trigger of social support alliance.轉型正義劇場;參與協作;沉浸式美學;自反性;台灣;社會運動;Transitional-justice Theatre;Participatory Collaboration;Immersive Aesthetics;Reflexivity;Taiwan;Social Movement