居振容2006-07-262018-05-292006-07-262018-05-292001-09-30http://ntur.lib.ntu.edu.tw//handle/246246/21772本計畫乃有系統的整理及研究契可夫 《三姊妹》在首演至今一百年來的製作呈 現。此研究從1901 年在莫斯科藝術劇院首 演的過程記錄，探討其寫實風格的處理及 此製作在當時的製作環境、美學風潮和政 治背景中之定位。再以個案研究方式整理 探討本世紀著名導演對《三姊妹》之劇作 詮釋，審視角度、風格取向、呈現方式。 以俾精確的分析此劇的戲劇性 (theatricality)、舞台效果(stagecrafts)、及 創作技巧(dramaturgical techniques)。This research will be focused on the stage presentation and interpretation of Anton Chekhov’s Three Sisters. In the perspective of several seminal productions, from the initial production in Moscow Art Theatre in 1901 to the most recent postmodern deconstructions, this project offers an examination of how the reception of the play, in a hundred year’s time, reflects the social, political, and aesthetic attitudes in different countries, and how it signifies in the development of theatre history.application/pdf199414 bytesapplication/pdfzh-TW國立臺灣大學戲劇學系暨研究所契可夫表演評論導演研究俄國劇場史莫斯科藝術劇院Chekhov (Anton, Pavlovich)performance criticismstage historyMoscow Art Theatredramatic productionjournal articlehttp://ntur.lib.ntu.edu.tw/bitstream/246246/21772/1/892411H002070.pdf