指導教授：鄭毓瑜臺灣大學：中國文學研究所楊中薇Yang, Chung-WeiChung-WeiYang2014-11-252018-05-292014-11-252018-05-292014http://ntur.lib.ntu.edu.tw//handle/246246/261042晚明才女、物和情文化等流行文化現象的影響力，在吳偉業的《臨春閣》與《秣陵春》中人物形象、情節模式乃至細節鋪陳上，歷歷可見。它們成為一種可供援用的資源體系，因為這些文化現象不單是作者的親身體驗，同時也是當時讀者所熟悉的生活經驗。吳偉業操作這個體系，便彷彿拉起了一個大家所共同理解的網絡，向讀者傳達出自己在明清之際的個人身分認同。而他在操作過程中如何挪用調動和轉化這些文化現象的特點，讓讀者婉轉地理解他的目的？ 《臨春閣》中，才女雖可堪憐愛，但她們卓越的才華不能完全視為晚明文人肯定才女文化影響下，對性別偏見的突破。她們的才能被置放在危機重重的政治環境中，只是一個未能實現的理想。物的賞鑑在《秣陵春》中也不再只是文人的娛樂消遣或審美生活的一部分，交換流通的過程中，引出的更多是如何保留遺民身分的焦慮感。而在離魂傳統上，兩個劇本雖然皆承襲了這個敘事模式，對背後一往情深的態度卻始終帶有一絲猶疑甚至拒斥。此外，吳偉業將離魂女性魂魄的柔弱性作為遺民徬徨心境、以及文化傳續困難度的隱喻，為晚明離魂傳統增添了變異性。這些都很可能是世變的政治衝擊，在吳偉業的文學想像中所發揮的作用。 因此，本論文從文化闡釋的研究視角出發，正是試圖補充目前吳偉業戲曲研究中，僅著重於文本本身的人物情節和語言修辭的封閉現象。期待這個視角不僅讓我們更能深入認識吳偉業調適自己立場以面對亡國創傷的複雜心迹，亦可觀察出兩個劇本如何體現在明清的時代轉折中，新舊文化與精神彼此牽連又有所轉化的明顯特質。The influence of the popular cultural phenomena in late Ming dynasty, such as the culture of talented women, of material objects and the cult of qing, has been clearly visible in the character figures, plots and detailed narrations of Wu Weiye’s dramas Moling Spring and Linchun Hall. These cultural phenomena were not only witnessed and experienced by the author but also part of life familiar for the readers of the time. In the works of Wu Weiye, they became therefore a mobilizable system of resources, by which Wu conveyed his loyal identity at the Ming-Qing transition in composing a meaningful network commonly comprehensible for his contemporary readers. And during this process, a further question is that: How did he mobilize and transform the features of these late Ming cultural phenomena to enable tactfully his readers to understand his purpose? First, in Linchun Hall, although the women of talent were adorable, their outstanding talents could not be viewed only as a breakthrough in gender bias under the influence of the recognized talented women culture in late Ming. Rather, their talents placed in a political environment full of crisis represented the ideals unable to be realized. Second, in Moling Spring, the material object appreciation was not only part of the literati’s leisure or aesthetic life, but also invoked Wu Weiye’s anxiety on how to keep the loyalist identity through object exchange and circulation. Third, both plays adopted the narrative model of the departure of the soul, but still maintained a slight hesitation or even rejection in regard to the authenticity of qing connoted in this model. Furthermore, the fragility of female ghosts departing from the bodies was used as a metaphor for the uncertain feelings as a loyalist and the difficulty of cultural inheritance, which increased more variety in the literary tradition of the departure of the soul in late Ming. Such observations may reveal the political impacts of the dynastic transition on Wu Weiye’s literary imaginations. To conclude, written from the perspective of cultural interpretations, this thesis attempts to supplement the current research on Wu Weiye’s dramas, exclusively focusing on characters, plots and rhetoric. This new perspective helps us to better capture the dynamic process of Wu Weiye’s political identity transformation during the dynastic transition and, meanwhile, to discern how both dramas reflect the distinctive features of the relationship between the old and new culture and spirit, not only closely tied but constantly changing, during the Ming-Qing transition.目錄 第一章 緒論 1 第一節 前言：官修史傳與文學間的罅隙──吳偉業的生平經歷 1 第二節 何謂遺民意識？ 4 第三節 研究文獻回顧 6 第四節 一個文化闡釋的視角：研究範圍與方法 9 第二章 世變中的才女：《臨春閣》中的性別意識與政治焦慮 17 第一節 前言 17 第二節 張麗華：史傳與文學傳統形象的轉化 18 一、從尤物禍國到才女救國 18 二、女性文藝之才的政治化 22 第三節 頌揚與限制：婦女之才的矛盾 30 第四節 女性情誼的反諷與救贖 37 第五節 小結 43 第三章 流轉與賞鑑：《秣陵春》中文人的玩物世界 46 第一節 前言 46 第二節 從逸樂、責諷到感懷──吳偉業詩詞中的物(1639-1648) 48 第三節 自我認同與背叛──《秣陵春》中的玩物活動與交流 55 一、玉杯：自我認同的調適 55 二、法帖：背叛與忠誠議題 63 三、賞鑒：遺民身分的建立 66 第四節 小結 74 第四章 離魂：論《秣陵春》對《牡丹亭》的挪借與轉化 76 第一節 前言 76 第二節 美人影像的迷戀：從至情中醒悟 81 第三節 佳人形象的轉化 86 一、弱化佳人欲望 87 二、文化佳人的故國象徵 90 第四節 幽魂想像的新詮釋 97 一、成為幽魂的驅動力 97 二、幽魂狀態的隱喻 104 第五節 小結 108 第五章 結論/餘論 111 第一節 晚明遺緒與清初新想像 111 第二節 魂散──從《臨春閣》到《秣陵春》的文化轉向 114 參考文獻.................................................1233140729 bytesapplication/pdf論文公開時間：2015/08/17論文使用權限：同意無償授權物才女離魂文人文化遺民意識thesishttp://ntur.lib.ntu.edu.tw/bitstream/246246/261042/1/ntu-103-R98121005-1.pdf