梅家玲臺灣大學:中國文學研究所潘俊宏Pahlberg, PatrickPatrickPahlberg2010-05-042018-05-292010-05-042018-05-292008U0001-3101200809470700http://ntur.lib.ntu.edu.tw//handle/246246/178538本論文以「招式」為武俠小說的主要類型特徵，以報刊雜誌為考察對象，探討誕生於1920年代上海文壇的武俠小說，如何進入日治時代的臺灣讀書市場，以及這個小說類型的社會約定是如何在流行文化與主流意識形態的雙重影響之下建立起來的。另外，本文以臺灣日治時代報刊雜誌所連載的中國作品，及臺灣作家自創的武俠小說為考察對象，探討武俠小說的本土轉化，以及本土作家的特殊趣味傾向。本研究發現上海作家所撰寫的武俠小說，自1930年代起在《三六九小報》與蘭記書局的共同合作之下，傳入臺灣的讀書市場。而且武俠小說是繼武俠片與武術圖書之後，第三個大量進入市場的武俠流行文化產品。至於武俠小說的本土轉化，臺灣本土文人在趣味追求與讀物選擇方面，似乎傾向於否認武俠小說類型的奇幻色彩，卻陷入了一種不知如何做到武功「實寫」的困境。Wuxia novels (also known as "martial-arts novel"), a popular genre of Chinese trivial literature, was originally created by novelists in Shanghai in 1920s and its popularity soon spread to other areas with Chinese speaking population, including Taiwan which was under Japanese rule at that time. This study used the concept of "Zhaoshi" to analyze how this genre was introduced into the Taiwanese readers’ market, and how its social convention was establish under the double influence of popular culture and martial-arts ideology. Furthermore, I tried find out how the wuxia genre was receipted and recreated by local writers in Taiwan during 1940s. The results show that wuxia novels were introduced in the Taiwanese market right after wuxia movies and martial arts books, which both also belong to the wuxia popular culture. Under the influence of the ideology of modern Japanese budo, local authors tried to develop some kind of more realistic "wugong", which was in contradiction to the basic concept of wuxia novels, which is characterized by its fantastic approach.目 錄試委員會審定書..........................................I文摘要.................................................IV文摘要..................................................V一章　緒論..............................................1一節　日治時代是否為武俠小說在臺灣發展的起點............1二節　研究方法..........................................3、關於武俠小説的研究方法................................3、臺灣日治時代漢文通俗小說中的「招式」與文化身體........9三節　研究資料.........................................11四節　研究框架與章節安排...............................14二章　武俠小說類型的傳入...............................16一節　一個新小說類型登臺...............................16二節　前傳：臺灣日治時代漢文通俗文藝與技擊書...........17、《漢文臺灣日日新報》漢譯通俗小說.....................17、《臺灣日日新報》漢文通俗小說中的技擊書寫.............20三節　《三六九小報》與武俠流行文化.....................21四節　從武俠片到武俠小説...............................22、上海武俠熱：從小說到電影.............................22、上海武俠片在日治時代的臺灣...........................24、銀幕春秋：從銀幕到文字...............................26五節　從武術到武俠小説.................................29、臺灣報刊雜誌上的中國武術.............................29、武俠小說引進的歷程...................................33六節　武俠小說與技擊文化...............................36三章　招式文學化與武俠小説發生的内緣...................37一節　非傳統的新傳統：發現傳統拳術.....................37二節　二十世紀初臺灣漢文通俗小說與現代技擊文化.........37三節　揭穿障眼法：少林拳法的發展何以違反進化論.........40四節　奇幻武功的實寫...................................47五節　武俠：從軍事到奇幻...............................51四章　武俠小說的文本分析...............................53一節　通俗文藝中心的北移與本土「武俠小説」創作.........53二節　中國武俠小説在臺灣報刊雜誌上的轉載...............55、《江湖俠義傳》：武俠與科幻的相遇.....................55、《三鳳爭巢》：中國江湖藝人與幫會.....................57三節　《臺灣奇俠傳》與《鯤島逸史》：武俠化的臺灣史想象.60四節　《日華英雌傳》：中日武術的辨爭...................68五節　「招式」的文學實驗...............................71五章　結論.............................................73要參考書目.............................................75application/pdf920226 bytesapplication/pdfen-US武俠招式武俠小說日治時代日據時代漢文通俗文學流行文化wuxiazhaoshimartial-arts novelJapanese Colonial Periodkanbuntrivial literaturepopular culturethesishttp://ntur.lib.ntu.edu.tw/bitstream/246246/178538/1/ntu-97-R92121019-1.pdf