劉權富Liu, Chuan-FuChuan-FuLiu2006-07-262018-05-292006-07-262018-05-292005-07-31http://ntur.lib.ntu.edu.tw//handle/246246/21781阿匹亞(Adolphe Appia，1862-1928)可以說是現代劇場視覺設計之先驅，他所提 出或發展的設計理論如一般舞台照明(Helligkeit)及反映形式照明(Gestaltendes Licht)；律動(Eurhythmics)與劇場元素之關係；非寫實且象徵性佈景(Trompe-ľoeil)等 不但為當時具寫實風格的舞台佈景開啟一個嶄新的、較為純粹藝術風貌的革命，同 時也深刻地影響其後代之劇場設計師們，如美國的李名覺、台灣的聶光炎等。 本研究計畫首先將深入研究阿匹亞的文章及論著，以及相關的評論或專書，現 存之資料多為文字及黑白圖繪，無法竀探原始設計面貌，將藉由電腦軟體之助，將 當時之演出進行3D 虛擬重現，希望經由舞台畫面的再現而得到視覺影像的佐證， 進而整理歸納阿匹亞的設計美學，並提供現代劇場設計學習者一個全觀性融會理解 的教材。Adolphe Appia (1862-1928) is the pioneer of modern stage lighting Design. His design theories such as Helligkeit and Gestaltendes; the relationship between Eurhythmics and visual elements; Trompe-l’oeil not only inspire a revolution of visual style from realistic to brand new and purified, but also deeply impact the theatre designers as Ming-Cho Lee and Kuang-Yen Nieh. The project will start from studying and inducting his design theories and related articles. Since we are not capable to get the entire performance-look from the document and black-and-white stage sketches, but we can understand the theories more effectively by establishing 3D virtualized stage images from the computerized simulation software, therefore, we are able to provide a learning source for the students and also a teaching material for the teachers in advance.application/pdf709628 bytesapplication/pdfzh-TW國立臺灣大學戲劇學系暨研究所舞台燈光設計家研究3D 虛擬重現劇場視覺設計美學Study of Stage Lighting DesignerDigital SimulationAesthetics of stage & lighting visual Designjournal articlehttp://ntur.lib.ntu.edu.tw/bitstream/246246/21781/1/932411H002040.pdf