2009-08-012024-05-18https://scholars.lib.ntu.edu.tw/handle/123456789/696702摘要：過去有關南管的近代發展歷史，往往只能仰賴口述歷史和南管曲譜，但是近年 來78 轉南管唱片的陸續出土，為南管近代發展史的研究提供了全新的史料和切入 視角。 這些78 轉的南管唱片，最早出現於1900 年代，持續發行至1950 年代，恰好涵 蓋二十世紀前半葉。其內容以廈門南管為主，其他還包括泉州、臺灣、菲律賓南管 樂人的唱奏，流傳範圍涵蓋閩臺東南亞各地。唱片總數大約近千張，目前已知存留 者最少有六百多張（當中當然包含部份重複者），是一個有待開發的寶庫。 本計畫的目的，便是希望透過對此千餘張南管唱片之基本資料的建立，以及對 目前存留之南管唱片的音樂內容分析，重建二十世紀前半業的南管音樂發展史，以 了解當時曾經存在什麼樣的南管樂人和團體、流行過哪些南管曲目、唱奏風格究竟 如何、唱奏風格的異同與唱奏者身份、地域、年代之間的關係等等。解決以上問題 後，本計畫將進一步以音樂社會史和唱片工業史的角度切入，探討南管音樂文化與 唱片工業的互動關係，以及閩臺東南亞唱片工業之間的密切關聯。<br> Abstract: Past studies on the modern history of nanguan music mostly relied on oral history and nanguan manuscripts. In recent years, however, the rediscovery of the 78 rpms records of nanguan music provides researchers with brand new sources and perspectives. These nanguan 78rpm records were made between the 1900s and 1950s. They were performed mostly byAmoy nanguan, but some of them featured nanguan musicians in Taiwan, Quanzhou, and the Philippines. These records were widely circulated across southern Fukien, Taiwan, and Southeast Asia, thus covering the nanguan diaspora. The total number of these records was close to one thousand, and at least more than six hundred of them are still available today, thus constituting an invaluable legacy waiting to be uncovered. The purpose of this project is to construct the basic data of these nanguan records and to analyze the actual musical content of the ones available today. The ultimate goal is to reconstruct the modern history of nanguan music and its development over time and space by answering the following questions:What nanguan musicians and groups existed? What nanguan pieces were popular? What were their styles of performance practice? How were the stylistic similarities and differences related to the performers’ background and social positions and to time and space? After solving these problems, this project will further investigate the data from the perspectives of social history of music and the history of record industry by examining the interaction between nanguan musical culture and record industry and the close relationship among the record industries in Southern Fukien, Taiwan, and Southeast Asia.78轉唱片南管唱片工業78 rpm recordsNanguan musicRecord industry