Performing Absence, Translating “China”: Disrupted History and Performative Identity in Stan Lai’s Xiangsheng Plays

CHUN-YEN WANGM. InoueS. Choe2020-06-122020-06-1220199789888455874https://scholars.lib.ntu.edu.tw/handle/123456789/501797Performing Absence, Translating “China”: Disrupted History and Performative Identity in Stan Lai’s Xiangsheng Playsbook section10.2307/j.ctvnb7s56.13