國立臺灣大學外國語文學系張惠娟2006-12-202018-05-292006-12-202018-05-292003-04-09http://ntur.lib.ntu.edu.tw//handle/246246/2006121215550756This paper means to draw attention to the uniqueness of Yevgeny Zamyatin’s We as a “heretical” product, a work that stands aloof among modern dystopias in many aspects. Ideologically as well as textually, We is a dynamic, open-ended dystopia, foregrounding ideological free play & narrative indeterminacy. Its articulation of multiplicity of perspectives defies any assertion of absolutism or authority & destabilizes whatever illusion of closure the text may have harbored. Its recourse to various metafictional techniques further unravels a textual world where everything is just in the process of becoming & nothing has already been finished. The departure of We from the realist tradition upheld by other dystopias is significant in negotiating a strategy to counter the official, orthodox narrative & eventually to provide a glimpse of hope for the otherwise dark world.application/pdf417543 bytesapplication/pdfzh-TW烏托邦察米雅欽我們DystopiaZamyatinWejournal articlehttp://ntur.lib.ntu.edu.tw/bitstream/246246/2006121215550756/1/1160018317317529455116.pdf