2010-08-012024-05-17https://scholars.lib.ntu.edu.tw/handle/123456789/688121摘要：〈瘞鶴銘〉是中國書史上影響最深遠的刻石之一，同時卻也是毀損最為嚴重、面貌最為模糊者之一。自北宋以來，歷代書家不僅推崇它雄偉俊逸的書勢，亦投注心力於它的重建，企盼還原此石面目。書學家的熱中程度及由之衍生出的各種考證、復原、翻刻與臨仿幾可比擬〈蘭亭序〉或〈淳化閣帖〉。本計畫追索北宋至近代書學家對漫渙殘缺的〈瘞鶴銘〉之文本、摩崖原貌及書風所作的各種「重建」努力，並期待由之進一步探討歷代對此書法典範的想像及對六朝書史的理解。<br> Abstract: “Eulogy for Burying a Crane” (Yihe ming) is one of the most influential moya stone-engraved inscriptions in the history of Chinese calligraphy. It is also one of the most damaged. Since the Northern Song period, calligraphers not only praise its calligraphy, they also attempt at its restoration. The abundant reproductions, recoveries, and imitations engaging the Yihe ming inscription are comparable to those of “Preface for the Lanting Gathering” (Lanting xu) and “Model Book of the Chunhua Pavilion” (Chunhuage tie). The proposed project will trace the various “restorations” of the text, original appearances, and calligraphic style of the Yihe ming inscription from the Song to the Qing period, through which it intends to investigate how history imagines and understands a demolished ancient calligraphic paradigm.瘞鶴銘摩崖刻石書法典範六朝書法Eulogy for Burying a CraneYihe mingmoya inscriptioncalligraphic paradigm