2004-08-012024-05-18https://scholars.lib.ntu.edu.tw/handle/123456789/697116摘要：阿匹亞（Adolphe Appia，1862-1928）可以說是現代劇場視覺設計之先驅，他所提出或發展的設計理論如一般舞台照明（Helligkeit）及反映形式照明（Gestaltendes Licht）；律動（Eurhythmics）與劇場元素之關係；非寫實且象徵性佈景（Trompe-&#318;oeil）等不但為當時具寫實風格的舞台佈景開啟一個嶄新的、較為純粹藝術風貌的革命，同時也深刻地影響其後代之劇場設計師們，如美國的李名覺、台灣的聶光炎等。 本研究計畫首先將深入研究阿匹亞的文章及論著，以及相關的評論或專書，現存之資料多為文字及黑白圖繪，無法竀探原始設計面貌，將藉由電腦軟體之助，將當時之演出進行3D虛擬重現，希望經由舞台畫面的再現而得到視覺影像的佐證，進而整理歸納阿匹亞的設計美學，並提供現代劇場設計學習者一個全觀性融會理解的教材。 最後將進一步探討研究劇場設計自阿匹亞以降之演進與發展。藉由搜尋設計風格受其影響之知名劇場設計師的作品，並加以比較與分析，從而歸納整理一個近代劇場舞台燈光設計史的雛型。 <br> Abstract: Adolphe Appia (1862-1928) is the pioneer of modern stage lighting Design. His design theories such as Helligkeit and Gestaltendes; the relationship between Eurhythmics and visual elements; Trompe-l’oeil not only inspire a revolution of visual style from realistic to brand new and purified, but also deeply impact the theatre designers as Ming-Cho Lee and Kuang-Yen Nieh. The project will start from studying and inducting his design theories and related articles. Since we are not capable to get the entire performance-look from the document and black-and-white stage sketches, but we can understand the theories more effectively by establishing 3D virtualized stage images from the computerized simulation software, therefore, we are able to provide a learning source for the students and also a teaching material for the teachers in advance. At the final phase, the research will focus on how the Appia theories influenced the other stage designers from then to now. By studying and analyzing the great works of those set designers, we could be inducting a design theory history of the modern theatre.舞台燈光設計家研究3D虛擬重現劇場視覺設計美學Study of Stage Lighting DesignerDigital SimulationAesthetics of stage & lighting visual Design