2008-08-012024-05-17https://scholars.lib.ntu.edu.tw/handle/123456789/679643摘要：中世紀晚期一方面有豐富的方言寫作從拉丁文識之文本文化的背景中崛起，另一方面也見證了其視覺文化多重的樣貌。作為與自我和感官世界關聯的途徑，中世紀視覺不僅讓身體參與神聖性，更是文化表義的核心所在。然而，晚期中世紀文化也對視覺觀看抱持曖昧態度，時而以感官的不定與侷限或是聖經文本的聖言權威挑戰其主導優勢，也因此重演了早期教會聖像爭議時有關圖像的再現性以及視覺挑動的政治意涵等相關論辯。中世紀晚期的英國，許多不同類型的方言寫作不僅反映，也積極斡旋於視覺文化與文本政治間的交錯張力。此三年期計畫第一年將首先由兩部關於夢境的詩作著手，處理《名人堂》與《珍珠》；第二年則繼續分析兩位重要女性靈視作家—諾維奇的茱莉安和瑪潔麗&#8226;坎普—富含神秘宗教經驗的作品；第三年則探討羅拉德派偶像破除與文本政治的關聯。本計畫試圖聚焦於理查二世時期文化詩學中視覺圖像與文本表義相互糾葛的諸多面向，研究激發此一時期方言寫作的社會動能與思想活力，並且檢視不同背景、不同類型的作品如何共同展現、省視並進而介入視覺性與文本性之間錯綜複雜的關係，以期深入了解造就晚期中世紀視界與文本的歷史認定與文化實踐。<br> Abstract: The later Middle Ages, with the significant emergence of vernacular writings against the backdrop of the Latinate textual culture, also saw multiple configurations of a complex visual culture. As a way of relating to oneself and the sensible world, the visual not only allowed for bodily participation in the divine but was also a focal point in cultural signification. However, medieval culture also harbored a central ambivalence in Christian attitudes toward vision that challenged its primacy with the inadequacy of the senses and the importance accorded to “the Word,” thus reiterating ancient iconoclastic polemics over the representative power of images and the ideological implications of visual stimulation. Various vernacular writings in late medieval England reflected, as they vigorously negotiated, the tension and intersection of visual culture and textual politics. The first-year project begins with two dream poems, The House of Fame and Pearl; the second-year project continues with the mystical writings of two important female visionaries, Julian of Norwich and Margery Kempe; the third-year project will discuss Lollard iconoclasm and textual politics. Focusing on the intertwining visual and textual aspects of the Ricardian cultural poetics, this three-year study will investigate the intellectual energies that generated the period’s vernacular writings and examine how writers of different background addressed the issues of visuality and textuality. In so doing, it aims to explore the historical assumptions and cultural practices that defined and produced medieval visions and texts.視覺視覺性文本性文本文化喬瑟《名人堂》《珍珠》諾維奇的茱莉安瑪潔麗&#8226坎普羅拉德派偶像破除理查二世visionvisualitytextualitytextual cultureChaucerThe House of FamePearlJulian of NorwichMargery KempeLollardyiconoclasmRichard II