2017-01-012024-05-18https://scholars.lib.ntu.edu.tw/handle/123456789/697441摘要：本計畫主要以日韓《詩經》學為研究對象，預計以三年的時間完成相關的論文。本計畫首先從日本江戶時期與韓國朝鮮時期《詩經》相關著作的文本脈絡中，思考日韓儒者如何從倫理學的角度，詮釋《詩經》的內容，並且採取什麼樣的策略和方法，提出合乎其文化的價值觀，以順應當地的風土民情。其次也要從日本和韓國的歷史文化中，探究他們之所以如此詮釋的深層因素。透過這兩方面的整合，進而了解日韓儒者如何對原本屬於中國的《詩經》，進行「脈絡性轉換」，並且對比日本和韓國儒學的異同之處。本計畫與其他子計畫密切相關，《詩經》不僅與《孟子》(子計畫一)與《荀子》(子計畫二)同樣是儒家重要經典文獻，其所闡述之個人及政治社會的倫理道德觀念，可與孟子「仁政」、「仁心」議題(子計畫一)，以及經世思想(子計畫四)互相參照，此外在經典詮釋的方法上，與「字義」概念(子計畫五)高度重疊。<br> Abstract: This project mainly regards the study of the Book of Songs in Japan and Korea as subject and accomplishes relative research articles in three-year schedule. To begin with, this project focuses on the textual context of the works related to the Book of Songs during Japanese Edo period and Joseon Korea, and considers how Japanese and Korean Confucians interpret the Book of Songs from the ethical point of view. At the same time, I also consider which strategy and method they adopt and suggest suitable value to its culture for adapting endemic emotion. Second, I investigate the fundamental factor why Japanese and Korean interpret in this way in their cultural history. Integrating these two aspects, I finally observe that the way Japanese and Korean Confucians conduct “contextual turn” on the Book of Songs which originally belongs to China, and contrast differences between Japanese and Korean Confucians. This project has a close relationship with other sub-projects. The Book of Poetry is one of important classics of Confucianism like the Mencius(sub-project 1) and the Xunzi(sub-project 2). Moreover, its individual and sociopolitical moral conception correlates to Mencius’ “renzheng 仁政” and “renxin 仁心”(sub-project 1) and to statecraft thinking(sub-project 4). Besides, this project also highly overlaps with concept of the meaning of words(sub-project 5) in hermeneutics of the classics.《詩經》江戶時期朝鮮時期脈絡性轉換the Book of PoetryEdo period,Joseon Korea,contextual turn