國立臺灣大學中文系葉國良Yeh, kuo-liangkuo-liangYeh2006-12-192018-05-292006-12-192018-05-292003-06http://ntur.lib.ntu.edu.tw//handle/246246/2006121215550048本文旨在探討唐宋哀祭文在體製及內容上發展過程。文中詳細分析唐宋著名作家的作品，逐一指出其承襲或創新之處。作者認為：若兼從「文學特質」與「文學流變」兩個角度加以觀察，韓愈是最有創造力的作家，歐陽修成雖不如韓愈，但在韓愈的籠罩下蛻變出新貌，二人的作品影響後世最鉅。此一觀點，和桐城派姚鼐《古文辭類纂》中推崇韓愈與王安石的看法並不完全一致。This paper is to discuss the development of styles and contents of elegy in Tang-Song period. In the article, the works of those famous writers in Tang-Song will be carefully analuzed, and their inherence and innovation will be pointed out one by one. The authoe thought that if we observe from the two perspectives:'Characteristics of Literature' and 'Developments of Literature', we can learn that Han Yu was the most innovative writer. The achievement of Ou-Yang Hsiu can't compare with Han Yu's, however, he still can bring forth new styles under the influences of Han Yu. The two writers' works had critical impacts upon the latter writers. The aboce-mentioned viewpoint is different from whar Yao Nai of the Tung-cheng school in his book, 《Ku-Wen-Tzi lai chuan》 had praised highly for Han Yu and Wang An-Shih.application/pdf714298 bytesapplication/pdfzh-TW哀祭文韓愈歐陽修姚鼐ElegyHau YuOu-Yang HsiuYao Naijournal articlehttp://ntur.lib.ntu.edu.tw/bitstream/246246/2006121215550048/1/11600180710981905020916.pdfhttp://ntur.lib.ntu.edu.tw/bitstream/246246/2006121215550048/-1/唐宋哀祭文的發展.pdf