2020-01-012024-05-17https://scholars.lib.ntu.edu.tw/handle/123456789/687438摘要：本計畫研究對象為無法被目前學科領域界定與劃分的沉浸式表演製作，以河床劇團 之「開房間計畫」為研究核心，討論其涉足視覺藝術與表演藝術場域，同時在美術 館、博物館進行兼具視覺、音像與表演藝術的跨領域製作，其表演形式的獨特性 ，採取一次僅單人觀眾觀賞作品、演出中指示觀眾使用耳機以精準調度音樂、高度 視覺化符碼與影音裝置、室內與室外環境空間的場域限定(site-specific)表演、互動 式溝通等，都不斷挑戰傳統寫實劇場的觀看與研究方法。本計畫嘗試分析並理論化 此類目前尚難以歸類的表演形式，以其「沈浸與參與」美學特徵進行分析，思索其 所具備新媒體的表演特質如何與戰後至當代臺灣文化政治的產生關係，並期待藉由 新自由主義與生命政治等批判理論討論，對此類型之跨領域表演提出理論性的認識 。<br> Abstract: This project aims to look into the so-called “immersive performance,” which is yet to be categorized and defined in any discipline of art. By focusing on a series of art work “Just for You” by Riverbed Theater, the project analyzes and discusses all sorts of experimental art practices in both visual and performing art field, such as site-specific performance, one-on-one performance, communicative and interactive performance, participatory production, visual, audio and video installation, etc. All of the experiments challenge and reflect on conventional methods and theories of realist performance. Shed light on Critical Theory and Cultural Studies in examining the idea of bio-politics in relation to neoliberalism, the project plans to theorize, historicize and contextualize immersive performances of New Media and interdisciplinary art in contemporary Taiwan.跨領域藝術新媒體沉浸式表演生命政治Interdisciplinary artNew MediaImmersive PerformanceBio-politics