Results 1-39 of 39 (Search time: 0.024 seconds).
Issue Date | Title | Author(s) | Source | scopus | WOS | Fulltext/Archive link | |
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1 | 2019 | 當代文化大論辯 | Jeffrey C. Alexander; Steven Seidman; 李紀舍(譯) ; 黃宗慧(譯) ; 曾麗玲(譯) | ||||
2 | 2018 | Wandering vs. Monumental Textual Effects in 'Wandering Rocks' | LI-LING TSENG | James Joyce Journal | |||
3 | 2014 | 'Genuine Forgeries'—Linguistic and Political De-Mystification in 'Eumaeus' | LI-LING TSENG | Sun Yat-sen Journal of Humanities | |||
4 | 2014 | 「存有之有所不對應」-評戴從容譯《芬尼根的守靈夜》(第一卷) | 曾麗玲 | 英美文學評論 | |||
5 | 2009 | Exile, Cunning, Silence: Trajectory of Art of Exile from Joyce's Ulysses to Beckett's Trilogy | LI-LING TSENG | Concentric: Literary and Cultural Studies | |||
6 | 2008 | “在我之前是誰打這兒經過?”〈游岩〉中穩固性與流動性的辯證 | 曾麗玲 | 英美文學評論 | |||
7 | 2008 | 《一九四七高砂百合》與《尤利西斯》的歷史想像與書寫 | 曾麗玲 | 喬伊斯的都柏林-喬學研究在台灣 | |||
8 | 2008 | Genuine Forgeries: Linguistic and Political (De-)Mystification in ‘Eumaeus | Tseng, Li-ling | 21th International James Joyce Symposium | |||
9 | 2008 | 〈在我之前是誰打這兒經過?:〈遊岩〉中穩固性與流動性的辯證〉 | 曾麗玲 | 英美文學評論 | |||
10 | 2006 | Exile, Cunning, Silence: Trajectory of Art of Exile in Joyce’s Ulysses and Beckett’s Trilogy | Tseng, Li-ling | 20th International James Joyce Symposium. | |||
11 | 2005 | "尤利西斯"與"馬隆逝矣"的遷徙藝術 | 曾麗玲 | ||||
12 | 2005 | The Penman and Postman Dynamic in Joyce | Tseng, Li-ling | NTU Studies in Language and Literature | |||
13 | 2004 | "尤利西斯"與"莫洛伊"遷徙藝術的政治性 | 曾麗玲 | ||||
14 | 2004 | The New Irish Art of Exile in Ulysses and Molloy | Tseng, Li-ling | 19 th International James Joyce Symposium. | |||
15 | 2003 | 新世紀的喬伊斯:政治,文本,倫理─尤利西斯之文本政治 (II-II) | 曾麗玲 | ||||
16 | 2002 | 新世紀的喬伊斯:政治, 文本, 倫理─尤利西斯之文本政治(II-I) | 曾麗玲 | ||||
17 | 2001 | Textual Politics of Ulysses | 曾麗玲 | ||||
18 | 2001 | 〈尤利西斯〉─之文本政治(III-I) | 曾麗玲 | ||||
19 | 2001 | A Technological Tug of War—Telecommunication vs. Grammatology in ‘Aeolus' | Tseng, Li-ling | NTU Studies in Language and Literature | |||
20 | 2001 | 現代性的空白-《家變》、《背海的人》前後上下之間 | 曾麗玲 | 中外文學 | |||
21 | 2000 | 〈瑙西卡〉與明信片的解讀 | 曾麗玲 | ||||
22 | 1998 | 《1947高砂百合》與《尤利西斯》的歷史想像與書寫 | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
23 | 1998 | En-/Dis-Abling Dialogism and Irish Nationalism in "Cyclops" | 曾麗玲; LI-LING TSENG | 文山評論 | |||
24 | 1998 | 京、津中國首屆國際喬學研討會記事 | 曾麗玲; LI-LING TSENG | 英美文學評論 | 0 | 0 | |
25 | 1997 | 專輯弁言 | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
26 | 1997 | 起舞弄清影-西西的香港文本與後殖民擬像(象) | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
27 | 1997 | 霧中看花花自媚-評金譯全本《尤利西斯》 | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
28 | 1996 | 詭奇、邪(諧)異的思辯:漫話《卡夫卡》 | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
29 | 1995 | 現代性-未竟之功 | J?rgen Habermas; 張錦中; 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
30 | 1995 | Textualized Reading, Reading Texts: Hopkins's Natural and Theological Hermeneutics | 曾麗玲; LI-LING TSENG | 國立臺灣大學文史哲學報 | 0 | 0 | |
31 | 1995 | 悟無、悟吾、悟無吾-論貝克特五○年代戲劇風格 | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
32 | 1994 | A Whore or a Whole: Conflict of Discourses in Clarissa | 曾麗玲 ; Tseng, L.L. | NTU Studies in Language and Literature | |||
33 | 1994 | 解與結:貝克特《三部曲》的書寫寓言 | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
34 | 1990 | 扼殺 | 約翰.厄普戴克; 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
35 | 1990 | 《西遊記》-一個「奇幻文類」的個案研究 | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
36 | 1990 | 《電梯向左轉》-觀眾荒謬處境的寓言 | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
37 | 1990 | 貝克特短篇小說選 | 貝克特; 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
38 | 1990 | 向心的追求-貝克特的小說 | 曾麗玲; LI-LING TSENG | 中外文學 | 0 | 0 | |
39 | 1988 | The “Syntax of Weakness”: A Manuscript Study of Samuel Beckett’s Imagination Dead Imagine | 曾麗玲 ; Tseng, L.L. | NTU Studies in Language and Literature |