| Issue Date | Title | Author(s) | Source | scopus | WOS | Fulltext/Archive link |
1 | 2021 | Introduction to Epistemology as Border(land)s in the Age of Globalization | BENNETT YU-HSIANG FU | Intertexts: A Journal of Comparative and Theoretical Reflection | | | |
2 | 2019 | ‘My Soul Frets in the Shadow’: The Poetics of Decolonization in the Works of W.B. Yeats and Ngũgĩ wa Thiong’o | Bennett Yu-Hsiang Fu | The Yeats Journal of Korea | | | |
3 | 2019 | Global Public, Digital Public: (Neo)epistolarity and Tactical Consumption in Kim Thúy À toi | Bennett Yu-Hsiang Fu | Digitalizing the Global Text: Digitality, Literature, and Culture | | | |
4 | 2018 | Silent Rage: Minority Dissent and Rebellion in Andre Alexis's Childhood | Bennett Yu-Hsiang Fu | Rebellion and Revolution: Aspects of Social Conflicts in Literature and Culture | | | |
5 | 2017 | All that Matters does not Matter: The Politics of Dehyphenation in Wayson Choy’s All That Matters | Bennett Yu-Hsiang Fu | Waseda RILAS Journal: Research Institute for Letters, Arts and Sciences | | | |
6 | 2017 | The Golden Apples of Yeats, the Silver Apples of Smith: W. B. Yeats’s Poetic Influences on A.J.M. Smith’s Work | Bennett Yu-Hsiang Fu | The Yeats Journal of Korea | | | |
7 | 2017 | A Nosegay of Chinese Lilies: Ethno-Sexual Bending/Bonding in Sui Sin Far’s Stories | Bennett Yu-Hsiang Fu | Sino-American Journal of Comparative Literature | | | |
8 | 2016 | The Shamrock and the Maple Leaf | Bennett Yu-Hsiang Fu | The Yeats Journal of Korea | | | |
9 | 2013 | Where Is Her(e)? Métissage as Indigenous Intervention in Taiwanese Liglav A-Wu’s Who Will Wear the Beautiful Garments I Weave? and Canadian Lee Maracle’s I Am Woman | Bennett Yu-Hsiang Fu | Global Encounters: Cross-cultural Representations of Taiwan | | | |
10 | 2012 | (De)touring from Paris to Kyoto: Intertextual Rupture, Historical Specter in Gail Scott's "My Paris" and Zhu Tian-xin's "The Ancient Capital" | 傅友祥 | NTU Studies in Taiwan Literature | | | |
11 | 2012 | Africa, Asian, and America in Dialogue: Teaching Ngũgĩ wa Thiong'o’s Decolonising the Mind: The Politics of Language in African Literature in Taiwan and in Canada | Bennett Yu-Hsiang Fu | International Journal of Mainstream Social Science | | | |
12 | 2012 | Heaven Knows Where! Mr. Allison: Cinematic Interventions and Dislocations in Richard Fung’s Islands | Bennett Yu-Hsiang Fu | ACT22: Going Caribbean: New Perspectives on Caribbean Literature and Art | | | |
13 | 2012 | Transgressive Transcripts: Gender and Sexuality in Contemporary Chinese Canadian Women’s Writing | Bennett Yu-Hsiang Fu | | | | |
14 | 2011 | De-hyphenating Self and Trans-ing Other in Fred Wah’s Diamond Grill | Bennett Yu-Hsiang Fu | Restless Travellers: Quests for Identity across European and American Time and Space | | | |
15 | 2010 | Laurence Yep.” The Facts on File Companion to the American Short Story | Bennett Yu-Hsiang Fu | | | | |
16 | 2010 | The Apocalyptic Vision of Nature in Ezra Pound’s Cantos LXXX and LXXXI | Bennett Yu-Hsiang Fu | The Journal Performative Humanities | | | |
17 | 2010 | “Margaret Atwood.” The Facts on File Companion to the American Short Story | Bennett Yu-Hsiang Fu | | | | |
18 | 2010 | “Margaret Laurence’s ‘The Rain Child’” The Facts on File Companion to the American Short Story | Bennett Yu-Hsiang Fu | | | | |
19 | 2009 | Africa, Asian, and America in Dialogue: Teaching Ngũgĩ wa Thiong'o’s Decolonising the Mind: The Politics of Language in African Literature in Taiwan and in Canada | Bennett Yu-Hsiang Fu | Approaches to Teaching the Works of Ngũgĩ wa Thiong'o | | | |
20 | 2009 | The Interlocution between Two (National) Solitudes: The Border within the Nation in Gabrielle Roy’s Bonheur d’occasion and Qionqiong Yuan’s Jinshengyuan | Bennett Yu-Hsiang Fu | L’echo de nos classiques: Bonheur d'occasion et Two Solitudes en traduction | | | |
21 | 2009 | Inside Out the Cage aux Folles: Abject Sexualities in Lydia Kwa's This Place Called Absence. | Bennett Yu-Hsiang Fu | Psychoanalysis and Asian American Literary Studies | | | |
22 | 2009 | De-hyphenating Self and Trans-ing Other in Fred Wah's Diamond Grill | Bennett Yu-Hsiang Fu | An Approach on National and Identity in 19th and 20th Century Literature in English | | | |
23 | 2009 | Omnivorous Globetrotter: Ethno-sexual Subjectivities in Andy Quan’s Calendar Boy | Bennett Yu-Hsiang Fu | Subjectivity, Creativity and the Institution | | | |
24 | 2008 | 此地逃花源,彼地桃花源:《殘月樓》中的空間辯證 | 傅友祥 | NTU Studies in Language and Literature | | | |
25 | 2008 | Dystopic Here, Utopic There: Spatial Dialectics in SKY Lee's Disappearing Moon Cafe | Bennett Yu-Hsiang Fu | NTU Studies in Languages and Literature | | | |
26 | 2008 | Sadomasochistic Subject (Ivat) ion in D. H. Lawrence's "the Prussian Officer" | 傅友祥 | 東吳外語學報 | | | |
27 | 2008 | Subject(ivat)ion in D. H. Lawrence's 'The Prussian Officier | Bennett Yu-Hsiang Fu | Journal of Foreign Languages and Cultures | | | |
28 | 2008 | Cultural Hybridization in Maxine Hong Kingston's Tripmaster Monkey:?His Fake Book | Bennett Yu-Hsiang Fu | Hwa Kang Journal of English Language and Literature | | | |
29 | 2008 | Subject(ivat)ion in D. H. Lawrence’s ‘The Prussian Officer.’ | Bennett Yu-Hsiang Fu | Soochow Journal of Foreign Languages and Cultures | | | |
30 | 2008 | Re-visioning and Revisionism of Her/History in Joy Kogawa's Obasan | Bennett Yu-Hsiang Fu | Studies in English Language and Literature | | | |
31 | 2007 | 香蕉共和國:當代華加男性書寫中的去連字號政治(II-I) | 傅友祥 | | | | |
32 | 2007 | “The Frontiers of Love.” Encyclopedia of American Ethnic
Literature | Bennett Yu-Hsiang Fu | | | | |
33 | 2007 | “Diana Chang.”Encyclopedia of American Ethnic Lite | Bennett Yu-Hsiang Fu | | | | |
34 | 2006 | “John Updike’s Rabbit Redux.” The Facts on File Companion to the American Novel | Bennett Yu-Hsiang Fu | | | | |
35 | 2006 | “Maxine Hong Kingston’s The Woman Warrior.” The Facts on File Companion to the American Novel | Bennett Yu-Hsiang Fu | | | | |
36 | 2006 | “Amy Tan’s The Kitchen God's Wife.” The Facts on File Companion to the American Novel | Bennett Yu-Hsiang Fu | | | | |
37 | 2006 | “Jade Snow Wang’s Fifth Chinese Daughter.” The Facts on File Companion to the American Novel | Bennett Yu-Hsiang Fu | | | | |
38 | 2005 | Meta-Morphing T'ien Hu: Sexual Transgression and Textual Transposition in When Fox Is a Thousand | Bennett Yu-Hsiang Fu | West Coast Line | | | |
39 | 2004 | Differing bodies, defying subjects, deferring texts: Gender, sexuality, and transgression in Chinese Canadian women's writing | BENNETT YU-HSIANG FU | | | | |