公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2003 | Palestrina and the Influence of ‘Old’ Style in Eighteenth-Century Vienna | Chen, Jen-yen | The Journal of Musicological Research | | | |
2001 | Palestrina as Compositional Ideal in Eighteenth-Century Vienna: The Modernism of the Stile Antico | JEN-YEN CHEN | seventeenth congress of the International Musicological Society | | | |
2010 | Purcell, Handel, Haydn, and Mendelssohn: Anniversary reflections, new college, Oxford, 27-29 March 2009 | JEN-YEN CHEN | Eighteenth-Century Music | | | |
2020 | REQUIEM WITH TWO RELATED MOTETS | JEN-YEN CHEN | EIGHTEENTH-CENTURY MUSIC | | | |
2003 | The Sachsen-Hildburghausen Kapelle and the Symphonies of Christoph Willibald Gluck | Chen, Jen-yen | Ad Parnassum | | | |
2009 | The Seven Last Words: Genre and Expression in Late Eighteenth-Century Musica da Chiesa | JEN-YEN CHEN | Haydn: Forms of Expression, International Musicological Conference | | | |
- | Teaching Western Music History at National Taiwan University: Western Music in a World Context | JEN-YEN CHEN | Journal of Music History Pedagogy | | | |
2004 | Three Masses from Vienna: A Cappella Masses by Georg Christoph Wagenseil, Georg Reutter, and Leopold Hofmann | Chen, Jen-yen | Recent Researches in Music of the Classic Era | | | |
- | The Tradition and Ideal of the Stile Antico in Viennese Sacred Music, 1740-1800 | JEN-YEN CHEN | | | | |
2011 | Utopian Universalism and the Modern Idea of the West in the Reception of European Musical Culture circa 1800 | JEN-YEN CHEN | Negotiating the West Music(ologic)ally | | | |
2013 | The ‘Virtue’ Mass in Early Eighteenth-Century Austria: Beyond the Viennese Imperial Court | JEN-YEN CHEN | Sakralmusik im Habsburgerreich 1570-1770 | | | |
2007 | Wagenseils Missa alla cappella und die Fuxschen Lehre | JEN-YEN CHEN | Im Schatten des Kunstwerks, International Conference for Music Theory | | | |
2007 | Wagenseils Missa alla cappella und die Fuxschen Lehre | Chen, Jen-yen | proceedings of Im Schatten des Kunstwerks, International Conference for Music Theory | | | |
2011 | Wagenseils Missa alla cappella und die Fuxschen Lehre | JEN-YEN CHEN | Schatten des Kunstwerks: Komponisten als Theoretiker in Win vom 17. bis Anfang 19. Jahrhundert | | | |
2021 | Western music history as a teaching topic in Taiwan: Pedagogy as transculturation | JEN-YEN CHEN | Listening Across Borders: Musicology in the Global Classroom | | | |