公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2017 | Cinema’s Turing Test: Consciousness, Digitality, and Operability in Hardcore Henry | Yu, Chang-Min | NECSUS: European Journal of Media Studies | 0 | 0 | |
2017 | Ciné-méta-vérité: Le Joli Mai and the Politics of Fictionality | Yu, Chang-Min | The Cine-Files | | | |
2019 | Corpo-reality in the Hong Kong New Wave | Yu, Chang-Min | | | | |
2019 | Corporeal Modernism: Transnational Body Cinema Since 1968 | CHANG-MIN YU | | | | |
2016 | The Digital Dreams Its Rivals: The Man in the High Castle | Yu, Chang-Min | Film Criticism | 0 | 0 | |
2016 | Figures for Figuring Out | Yu, Chang-Min | FILM CRITICISM | 0 | 0 | |
2019 | Narrative Economies: On Joseph Jeon's Vicious Circuits | Yu, Chang-Min | Los Angeles Review of Books | | | |
2022 | Precocious modernism: Mou Tun-Fei’s I Didn’t Dare to Tell You (1969) and The End of the Track (1970) | CHANG-MIN YU | Journal of Chinese Cinemas | 0 | 0 | |
2016 | Tele-Visualization: John Frankenheimer's Early Juvenile Delinquent Films | Yu, Chang-Min | Quarterly Review of Film and Video | 0 | 0 | |
2022 | Violent Corporeality in Cinema | CHANG-MIN YU | The Palgrave Handbook of Violence in Film and Media | 0 | 0 | |
2018 | 誰害怕後電影研究? | Yu, Chang-Min | 電影藝術 | | | |