Issue Date | Title | Author(s) | Source | scopus | WOS | Fulltext/Archive link |
---|---|---|---|---|---|---|
2006 | The Change of Ceramic Trade between China and Middle East from 13th to 14th Centuries | CHING-FEI SHIH | The XIV International Economic History Congress | |||
2019 | Crafting 'Cuboctahedron' (Archimedean solid) in Canton Ivory Spheres | CHING-FEI SHIH | "Crafted Knowledge in a Globalized World" Workshop | |||
2015 | Cross the border: Ceramic industries along the Red River from 14th to 16th Centuries | CHING-FEI SHIH | Euraseaa2015, 15th International Conference of the European Association of Southeast Asian Archaeologists | |||
2018 | Cultural and Technological Contending in the high Qing court (1662-1795): Three wondrous tribute objects from the ‘West’ | CHING-FEI SHIH | Tribute System and Rulership in Late Imperial China | |||
2017 | Cultural Contending: Kangxi Painted Enamelware as Global Competitor | CHING-FEI SHIH | 歐洲亞洲藝術與考古學會2017年會 | |||
2017 | Delft Polychrome Wares of Late 17th to Early 18th Century in a Global Context | CHING-FEI SHIH | Dutch Art in the Seventeenth Century | |||
2015 | The Early Modern Revolutionary Transformation of Colour Palettes: Qing Painted enamelwares as an Example | CHING-FEI SHIH | 14th ICHSEA: 14th International Conference on the History of Science in East Asia | |||
2014 | European Decorative Elements employed in Qing Painted Enamelware | CHING-FEI SHIH | Qing Porcelain in China and the World Study Day | |||
2001 | Experiments and innovation : Jingdezhen blue-and-white porcelain of the Yuan dynasty (1279-1368) | CHING-FEI SHIH | PhD dissertation. University of Oxford | |||
2013 | How China accommodated newly imported Western designs? | CHING-FEI SHIH | The Workshop for Chinese Arts | |||
2020 | Hua Falang: The Chinese Concept of Painted Enamels | CHING-FEI SHIH | The RA collection of Chinese ceramics : a collector's vision. Volume V | |||
2013 | The Immortal's works and Treasure boxes in the Qing Court from 1662 to 1795 | CHING-FEI SHIH | Interactions in Art: East Asia and Europe, 1600-1800 | |||
2013 | The 'immortal's works' and the 'cabinet of curiosity' in the Qing Court from 1662 to 1795 | CHING-FEI SHIH | Face to Face: The transcendence of the arts in China and beyond | |||
2012 | The Ivory artefacts in the Qing Court and Canton | CHING-FEI SHIH | Global Commodities: The Material Culture of Early Modern Connections, 1400-1800 | |||
2016 | Later Chinese Ivories: Guangdong as a Major Production Centre | CHING-FEI SHIH | Chinese Ivory Carvings. The Sir Victor Sassoon Collection | |||
2020 | Les cabinets de curiosités à la cour impériale des Qing au XVIIIe siècle | CHING-FEI SHIH | Le monde à portée de sens: Un cabinet de curiosités chez Christophe-Paul de Robien au XVIIIe siècle | |||
2008 | The Many Markets of Jingdezhen Yuan Blue-and-White Porcelain | CHING-FEI SHIH | Exchange of Notions of Beauty between East and West Asia | |||
2011 | The Multiple Markets of Jingdezhen Blue-and-White Porcelain during the Mongol Yuan Period | CHING-FEI SHIH | Cultures of Ceramics in Global History, 1300-1800 | |||
2014 | The New Idea of Ritual Vessels in the Early Ming Dynasty: A Third System? | CHING-FEI SHIH | Ming Conference | |||
2016 | The New Idea of Ritual Vessels in the Early Ming Dynasty: A Third System? | CHING-FEI SHIH | Ming China: Courts and Contacts 1400-1450 |