公開日期 | 標題 | 作者 | 來源出版物 | scopus | WOS | 全文 |
2012 | Interrogating Culture and Identity: The Case Study of Taiwan" | JEN-YEN CHEN | (roundtable chair), Music, Culture, Identity, 19th Congress of the Internatio | | | |
2008 | Johann Christian Bach and the Church Symphony | Chen, Jen-yen | About Bach | | | |
2008 | Johann Christian Bach and the church symphony | JEN-YEN CHEN | About Bach | | | |
2008 | Johann Christian Bach and the Church Symphony | JEN-YEN CHEN | About Bach | | | |
2006 | Johann Joseph Fux: Missa Constantiae K 9 | Chen, Jen-yen | | | | |
2002 | Johann Joseph Fux: Missa Confidentiae K 8 | Chen, Jen-yen | | | | |
2010 | Johann Joseph Fux’s Eucharistic and Marian Compositions and Habsburg Political SelfConception in the Era of Charles VI | JEN-YEN CHEN | 14th Biennial International Conference on Baroque Music | | | |
2014 | The Legacy of Johann Joseph Fux’s Gradus ad Parnassum (1725) and the Historicized Practice of Theory | JEN-YEN CHEN | History, Theory, and Analysis: Interactions, Conflicts, Resolutions | | | |
2016 | MARIA THERESIA and the 'CHINESE' VOICING of IMPERIAL SELF: The AUSTRIAN CONTEXTS of METASTASIO'S CHINA OPERAS | JEN-YEN CHEN | Eighteenth-Century Music | | | |
2014 | Maria Theresia and the ‘Chinese’ Voicing of Austrian Imperial Self: The Contexts of Metastasio’s China Operas | JEN-YEN CHEN | ideas and Enlightenment: The Long Eighteenth Century, | | | |
2009 | Masses by Alessandro Scarlatti and Francesco Gasparini: Music from the Basilica of Santa Maria Maggiore, Rome | JEN-YEN CHEN | Eighteenth-Century Music | | | |
2015 | Metastasio’s Le cinesi and the Practice of Reflexive Critique Within Austrian Court Ceremonial Culture | JEN-YEN CHEN | The Serenata and the Festa Teatrale | | | |
2002 | Missa Confidentiae | JEN-YEN CHEN | Johann Joseph Fux: S?mtliche Werke I/8 | | | |
2006 | Missa Constantiae | JEN-YEN CHEN | Johann Joseph Fux: S?mtliche Werke | | | |
2006 | Missa Constantiae | Chen, Jen-yen | Johann Joseph Fux: Sämtliche Werke | | | |
2010 | Musical Culture and Social Ideology in Vienna circa 1800: Aristocratic Patronage and Bourgeois Reception of Joseph Haydn’s Oratorios | JEN-YEN CHEN | Concentric: Literary and Cultural Studies | | | |
2003 | Palestrina and the Influence of ‘Old’ Style in Eighteenth-Century Vienna | Chen, Jen-yen | The Journal of Musicological Research | | | |
2001 | Palestrina as Compositional Ideal in Eighteenth-Century Vienna: The Modernism of the Stile Antico | JEN-YEN CHEN | seventeenth congress of the International Musicological Society | | | |
2010 | Purcell, Handel, Haydn, and Mendelssohn: Anniversary reflections, new college, Oxford, 27-29 March 2009 | JEN-YEN CHEN | Eighteenth-Century Music | | | |
2020 | REQUIEM WITH TWO RELATED MOTETS | JEN-YEN CHEN | EIGHTEENTH-CENTURY MUSIC | | | |