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Showing results 16 to 35 of 38
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Issue Date
Title
Author(s)
Source
scopus
WOS
Fulltext/Archive link
2010
Remapping Protestant Women and Interracial Minorities in Christina Reid's War Dramas
WEI H. KAO
Irish Women at War: The Twentieth Century
2005
Samuel Beckett in Taiwan: Cross-cultural Innovations, Challenges, and Controversies
WEI H. KAO
Journal of Beckett Studies
2014
Sebastian Barry's White Woman Street (1992): The Ignored Overseas Irish in 1916
WEI H. KAO
Notes on Contemporary Literature
2011
South Africa, racism and Irish sectarianism in dolores Walshe's in the talking dark and Damian Smyth's soldiers of the Queen
WEI H. KAO
English Studies in Africa
0
0
2016
Staging the Easter Rising: Plays by W.B. Yeats, Sean O'Casey, Colm T?ib?n
WEI H. KAO
Studies in Arts and Humanities
2020
Staging the outcast in Brendan Behan’s three prison dramas
WEI H. KAO
Estudios Irlandeses
0
0
2007
The Formation of an Irish Literary Canon in the Mid-Twentieth Century
WEI H. KAO
2007
The Healing of Trauma in Anne Devlin's After Easter: Female Experiences and the Nationalistic Historiography
WEI H. KAO
Essays on Modern Irish Literature
2014
Transnational Ireland on Stage: America to Middle East in Three Texts
WEI H. KAO
Transnational Literature
2009
Troubled Desires and Social Taboos in Eugene O'Neill's and Marina Carr's Dramas of the Land
WEI H. KAO
Journal of Irish Studies
2006
Voices from the Irish Margin: Sean O'Casey's The Shadow of a Gunman and Christina Reid's Joyriders
Kao, Wei H.
Fu Jen Studies: literature and linguistics
2016
W.B. Yeats's Intended Trip to Taiwan
WEI H. KAO
Studies: An Irish Quarterly Review
2010
When Incest is Not a Taboo: Desire and the Land in Eugene O'Neill's Desire Under the Elms and Marina Carr's On Raftery's Hill
WEI H. KAO
戲劇研究
0
0
2009
劇場的他者:臺灣與愛爾蘭戲劇中的勞工階層
WEI H. KAO
文學台灣
2006
在神性與人性間游移︰凱特‧歐布萊恩作品裡的異鄉人
高維泓
中外文學
2023
失落的聲音:現當代愛爾蘭劇場之獨白劇
高維泓
戲劇學刊
2010
少數族裔,多元視角:談當代愛爾蘭劇場的全球化劇場
WEI H. KAO
劇場事:台灣當代戲劇評論季刊
2012
後全球化時代的愛爾蘭劇場
高維泓
思想
2015
從廣博走向專精,從經典邁向多元:「台灣愛爾蘭研究學會」成立緣起
高維泓
英美文學評論
0
0
2007
戲劇典律的顛覆與重構:以二十世紀末之愛爾蘭劇場為例(I)
高維泓