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自我譴責的公眾化:郁達夫與民初報刊媒體上的懺悔書寫 = Public Confession: Yu Dafu and the Confessional Writing in Early Republican Newspapers and Periodicals
革命性的恐怖:早期華語恐怖片《夜半歌聲》左翼化的怪人敘事與聲音運用 = The Revolutionary Horror: The Leftist Monster Narrative and the Sound-Effect Practices in the Early Chinese Horror Film Song at Midnight
鏡裏花間———試論《花間集》的鏡書寫
論郭沫若劇作〈湘纍〉與《屈原》中的屈原詮釋與自我模塑
To watch, to see, and to differ: an event-related potential study of concreteness effects as a function of word class and lexical ambiguity
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